Showing posts with label Entertainment Venues. Show all posts
Showing posts with label Entertainment Venues. Show all posts

Sunday, 6 June 2010

Exhibition at Olympia

Website: http://www.eco.co.uk

Yesterday ABJ and I went to visit the London Fine Art Fair at Olympia exhibition centre. ABJ had managed to secure a free day-pass for two people for the fair so we turned up and saved a total of £22 in ticket prices. The exhibition centre was built in 1885 as a dedicated exhibition centre. It is not, as I had thought, a transformed train station...

After getting our bags searched we entered the cavernous exhibition space. It was a breath-taking first-impression - the huge expanse of girders was painted white and extended high above us:We walked thoroughly around the ground floor looking at the hundreds of different stalls along the way. We've both been to similar exhibitions and we both felt that this was was very quiet. Despite it being mid-afternoon on a Saturday there were very few people around and every stall looked pretty deserted of customers.
We saw lots of interesting things, many of them not things I would classify as "fine art". We saw suites of armour:as well as stalls selling exquisite fossils, retro film posters, furniture, even cold-war era binoculars... There were also a few paintings and sculptures, the kind of thing I would expect.

After snooping around the ground floor we ascended a flight of stairs to "The Orangery" and did a circuit up there. After I was hit by a hay-fever sneezing fit we continued on our way and took in the birds-eye view:
By this time we'd decided that everything was way out of our price range, so we left. ABJ had to have her bag searched again, even though it's far too small to steal anything that was on sale...

We saw a cute car on the outside:
Summary: Good to finally see the interior of the Olympia exhibition centre.

Monday, 9 March 2009

The Barbican

Website: http://www.barbican.org.uk

Last weekend I spent Saturday evening and Sunday day at the "Do Something Different..." weekend at the Barbican Centre.

I've been to the Barbican once before to see the play A Disappearing Number (well worth seeing) but it's a place that's intrigued me for a long time. It's a strange maze-like place that I've wanted to explore before but never had a chance to.

On Saturday night VB and LT met up after getting lost a few times in the Barbican surroundings. We were there for an evening of "playing games and other fun social events". Our first stop was the East London Cycling Machine:This involved peddaling on a tandem bike while watching a slide show of the creator's trips round east London. The trip I saw went past the Thames flood barrier to some marshes further east. The trip VB and LT did involved a watching the creators eat a full English breakfast... This machine served as a warm up in both body and mind: after it I was a bit exhausted but interested in what other activities there were.

We then went to make wire sculptures:before getting some pens and paper and settling down to play "Paper Telephone". This was a fun game although I think the 5 hours we spent playing it was a little too much...

We left the Barbican after all the events were over and returned at 10.30am on Sunday. This time we'd booked tickets for some of the events and, while we waited for the first one to start, we explored a little bit. We discovered an indoor jungle:The first event of the day was "Make it and race it" which involve creating a balloon-powered vehicle and trying to drive it the furthest distance possible. It was run by two enthusatic people - an artist and an architect. They mistook us for either architects or design students rather than the hodgepodge collection of people we were really. It was very fun making the cars and although my ambitious design for a trio of frictionless wheels didn't work (at all!) it was entertaining to use the glue guns and watch everyone else's designs take form.

After about 2 hours of this we were all exhausted and in need of some lunch. We went to the tasty but expensive cafe on the ground floor to refuel.

The next stop was a huge butterfly chandelier. Everywhere around the chandelier was a sea of babies, cardboard, glitter, pencils, glue sticks, scissors etc etc:
We found a quiet corner and made three butterflies before queuing for ages to get some string to hang them up. My butterfly had a net which contained a caught human:The next stop was a "Family Film Truck" - a lorry with its interior converted into a cinema:
Here we watched a hit-and-miss collection of 6 short children's films. The first one was the best - a silhouette film by Lotte Reiniger called "The Caliph Stork".

We finished the day by listening to "The Big Ukelele Bash" - a rabble of parents and children who had learnt to play "Singing in the Rain" on ukeleles. This was a little disappointing since almost all the children just held their instruments without playing them...After that we were so exhausted from playing all day that we left.

Things I learnt about the Barbican
  • It has cinemas and art galleries.
  • It was designed to be "like the future".
  • It's got a hidden "indoor jungle".
  • They hold events like this where they're very generous with their craft materials...
A selection of the architectureSummary: The weekend of (main free!) events was fun and I'll have to keep an eye on other things the Barbican has to offer.

Sunday, 8 February 2009

Tour around the Royal Albert Hall

Website: http://www.royalalberthall.com

Today I went on the 10.30am tour around the Royal Albert Hall in South Kensington. There are multiple tours everyday but today there were only 2 in the morning because "Cirque du Soleil" was showing in the afternoon.

I've been to quite a few shows at the Albert Hall (including a Cream reunion concert, ballet, the proms, indoor tennis... even my graduation!) so I was looking forward to learning a bit of "insider information".

The tour started promptly at 10.30am. About 15 of us were hanging around Door 12 when we were greeted by Helen who's worked at the Albert Hall for 10 years. She asked everyone if we'd been to the venue before and where we were from. There were people form Australia, Sweden, Germany and, slightly less exotic, Bedford. Helen explained that we were not allowed to take photos and then led us away from the Box Office into the circular corridors on ground level.

Lining the corridors are photos of famous or unusual performances at the Albert Hall and, as she led us up to see the boxes, she explained that sport has been very big in the venue's history. They've had tennis (during the Masters Tennis)basketball, sumo wrestling and even a marathon (In 1909 two athletes tried to run 500 laps of the inner corridor on a bedding of coconut leaves. Neither made it!).

We were led upstairs to sit in the boxes overlooking the stage. Here we had a rest in the chairs and were taught some history of the hall. It was opened in 1871 and was designed to be an amphitheatre with a roof. The roof ended up causing enormous difficulties however because it echoed the sound around the performance space. This was good if a choir was singing but bad if there was a soloist or pianist. People would apparently say "It's good value for money at the Albert Hall - you hear the concert once and then again 2 or 3 seconds later...". The modern solution to these echoing difficulties was put in place in 1969. It involves a host of upsidedown "mushrooms" suspended from the roof: These scatter the sound waves all around the room before they can get to the roof. Any sounds that do get to the roof then bounce back into the mushrooms and are dampened down.

The hall hosts around 360 events every year and has a audience capacity of 4,500 to 6,000 depending on the event.

We then left the boxes we were in an took a sneak peak at the Queen's box. This was bought by Queen Victoria and has a prominent crown displayed above it. It is where royalty sit when they come to an event at the Albert Hall but, when there's no royals attending an event, the box is used by people that work for the Queen (e.g. stable hands at Windsor, secretaries at Buckingham Palace etc). It seems like it's a perk of the job.

This Queen's box (which is always called the Queen's box even when a king is monarch because it was Queen Victoria who bought it) opened up the whole issue of ownership of seats. To raise money to build the Albert Hall they sold a few hundred seats for £100 each. The lease for these was 999 years (!) and the seats were passed down through families. In the 137 years the Albert Hall's been around a lot of the seats have, however, ended up being bought as investments by companies and banks. They are occasionally sold by closed auction in the Times but prices are high. One couple on the tour said they saw 5 seats sell for £100,000 a few years ago. If you do own a seat you get to go to pretty much any event you like...

We then visited the Royal Retiring Room where royalty come to relax before and after a show. This has portraits of all the leading royals since Queen Victoria. Here we were told that the Albert Hall was built as a memorial to Prince Albert by his widow Queen Victoria. Albert had conceived of turning South Kensington into a centre of culture and science. After his death the plans were followed through and the Royal Albert Hall, Royal College of Art, Imperial College, Royal College of Music, National Geographical Society, Science Museum, Natural History Museum, Victoria and Albert Museum were built. This vast complex was nicknamed "Albertopolis".

We then climbed up to the "Gallery" - a standing-only viewing area that rings around the top of the auditorium. This is fairly plain now but used to be the social area with paintings on display (hence "the Gallery"). We took a quick look out at the closed-off balcony before descending the stairs again. We'd been asking so many questions we were in danger of making Helen late for her 11.30am tour. She led us back to Door 12 and said goodbye.

The hall used to be powered by steam and the chimney outside is the disused (but listed) steam vent:Summary: Interesting glimpse into the history of the place. Could do with some more "behind-the-scenes" restricted access.

Sunday, 26 October 2008

The London Dungeon

Website: http://www.thedungeons.com

Today I visited the London Dungeon, one of the most touristy places in London. Tucked away under London Bridge station the dungeons are always very busy with long queues of visitors waiting on the pavement outside.

I arrived at the start of the extraordinarily long "buy your ticket on the day" queue at about 12.30pm. I finally finished my visit to the dungeons at 3.40pm. It was quite a visit I'm sure you'll agree... until I tell you that out of that 3 hours 40 minutes I spent 2 hours queueing. That is, from the time I joined the back of the queue (out on the street, in the rain) to the time I joined a tour group that actually set off around the dungeons was 2 hours. 2 hours of my life I'll never get back...
In the queue I was sandwiched behind a large group of twenty-somethings and in front of a family. When the family joined the queue the father said "When we went to York dungeon the queue was this long and only took 20 minutes." I didn't realise dungeons were so universally popular.

The family consisted of two nice parents and four horrible savage children. The kids spent their time shaking wet umbrellas on each other, throwing food on the pavement, repeatedly spitting on the ground and, of course, shoving into me. Just great. I waited quietly in the rain and had so much time to fill that I managed to listen to the whole of the Dark Side of the Moon album. I watched as the family nipped off for hot drinks at Starbucks and the twenty-somethings nipped off to Pret for sandwiches and hot stinking croissants.

Given this hellish queuing I was looking forward to getting past the ticket desk and setting off on the trip. I guess I was naive. Before buying my ticket I had a photo of me taken posing in stocks. I then bought a student ticket for £18.95 and sped off into the dungeons. Or so I thought. First stop was an awkward misunderstanding with a few of the twenty-somethings ahead of me. They were waiting past the ticket desk for some friends who'd gone to the toilet and I stood in their midst for about thirty seconds. I finally figured out why they were waiting and set off to the dungeons. Or so I thought. Next stop was another queue that wound through a weirdly decorated corridor. There were rats on display, entrails, tinned rat etc. I heard two people separately comment "Oh I see! It's death by queuing!".

Finally we squirmed past an important door and were shuttered off into a tour group. An actor dressed in a cloak welcomed us to "The Crypt" and sent us off into "The Labyrinth of the Lost". During his introduction he would talk to one side of the group and then SUDDENLY spin round to the other side and shout his next piece of dialogue to the person he thought was most likely to have a heart attack.

The labyrinth was fun since it was a hall of mirrors and (at last!) we were free to wander (not in a queue) through it. We all made it through to the other side and were greated by a woman who told us we all had the plague and should go to the doctor. She led us through some more spooky corridors and into an "autopsy room". An actor dressed as a doctor was hiding behind the autopsy table and JUMPED OUT at us. He then plucked out a member of the group and analysed them in front of us all, telling us what he'd be like if he had the plague. We then left the doctor and visited "Newgate Gaol" where we were ushered into a court room. Three members of the group were made to stand in the dock and were accused of committing crimes. As they walked up to the dock we were encouraged to "booooooo".

The first was a 10 year old boy called Oliver accussed of running around Covent Garden pinching ladies bottoms.
Verdict: Innocent.

The second was a woman called Lucy who was accussed of urinating into water wells.
Verdict: Guilty.

The third was a man who said he was from Beligum.
Immediate Verdict: GUILTY.

We then left and went on the "Traitor: Boat Ride to Hell". This was billed as amazingly exciting. I joined a boat and we set off. I don't know what I was expecting but what we got was very disappointing. There were no people jumping out at us, no scary noises, no rapids... not much in fact. The whole trip was completed slowly, almost like a formal ballet, in complete darkness. When it was over we were ushered out and into Sweeney Todd's barber shop. We sat in barber's chairs and, once again, all the lights went out. A recorded voice of Sweeney Todd spoke in our ears and then we were jerked back in our chairs. Was that it!? Just compare that to the advertising poster:
We then left and went to the Jack the Ripper part of the dungeons. We saw a few dead, mutilated bodies of prostitutes (pretty odd entertainment really) and then a video about "Who was Jack the Ripper?". This lacked any explanatory power and was basically a series of photos of Victorian men with a voice-over saying "Or was it Colonel _____, or was it physician _____". We were then ushered out and into a mock pub. A woman behind the bar told us it was the ten year anniversary of the ripper murders. We were supposed to get more and more scared as items on the bar began to move of their own accord and then SUDDENLY the lights go OUT and a strobe light shows JACK THE RIPPER trying to slash a group member near the front of the bar! Now I have to admit that was pretty good. He appeared suddenly in a hat and cape with a blast of air and then suddenly was GONE!

We then "learnt" about the Great Fire of London before going on the ride "Extremis: Drop Ride to Doom". We sat in two rows of seats in a room. A restraining bar came down upon us, the lights went out and the seats were raised up. At the top we looked out upon a row of hangman nooses and a judge pronounced that we were due to be hanged. The hangman pulled the lever and SUDDENLY we DROPPED DOWN. And... err... well, that was it.

We were let out and sent into the photo preview room. As always the photos of me were terrible and I didn't want to spend the enormous fees to buy them. The tour ended in the gift shop: "The best Halloween shop in London". It did seem pretty good. There was a variety of Halloween costumes available:Overall I felt the London Dungeons were overpriced and disappointing. My desire to visit them, I reflected, was due to their extensive advertising that makes the rides look exciting. The rides were lacklustre and plain - not "scary" or "terrifying":
As an attraction they clearly save a lot of electricity money by keeping the lights out for most of the time. The high visitor turnover meant that visitors were ushered through each part too quickly. At various points the actors call the tour group "scum" and, worst of all, because I was visiting alone, I was variously called "a suicider" and "billy no-mates". And, to rub salt into the wound, I was paying loads of money for the experience!

Summary: Not worth it.

Sunday, 7 September 2008

See some plays: Rain Man

Websites:
http://www.rainmanonstage.com
http://www.apollo-theatre.co.uk

Last night ABJ and I took a spur of the moment trip to the Apollo theatre to see Rain Man. We bought two £16 tickets for seats in the Balcony. They were so high up that we had to exit the theatre and enter a staircase leading up from the street! We ended up with a view all the way down through the theatre to the stage:
The play starred Josh Hartnett as Charlie (a slick car saleman who - at the start - is only after money) and Adam Godley as Raymond (Charlie's autistic older brother).
The story is already a Hollywood film but this version had been "reimagined for the stage". It was good. In fact, I'd forgotten how enjoyable theatre plays can be - much more enjoyable than musicals... There were jokes and thought-provoking moments. The interval curtain was pretty cool too:
Summary: I'll certainly be going to "see some plays" more often.

Saturday, 21 June 2008

Brixton Academy

Website: http://www.brixton-academy.co.uk

Last Monday night ABJ and I went to a free Coldplay concert at Brixton Academy. It was my first time there and I was excited to go inside - especially for free! Doors opened at 6.30pm so we arrived at 6pm and joined a long queue down the side of the building. After half and hour the queue began to slowly move forward.

There was a lot of security at the entrance and ABJ even had to surrender her chewing gum. Once inside, past the big bouncers, there were hordes of Oxfam helpers dispensing free badges and postcards saying "Be Humankind".

We walked away from the security through the crowds of freshly frisked Coldplay fans into the "Stalls". This was a huge downward slope that led to the stage. A few leaning railings broke up the space and we headed straight for the nearest one. Fans were standing around packed in near the stage. Most of the other railings were full up but we managed to nab a space wide enough for us two. As more people arrived this had to be guarded strongly against everyone else. A beer cheered me up during the long wait until 7.45pm. I spent the time looking at the venue. There was a balcony for the audience above the stalls and high up on both sides of the stage were Roman-style terraces with fake plants and classical architecture.

By 7.45pm the arena was packed full of hip young people and Jon Hopkins came on to DJ some music. He accompanied a surreal 30 minute animated film that was projected onto a 20ft screen:
It was all a "very 21st Century" form of entertainment.

The film ended, the crew laboriously packed up the screen and his equipment and started a sound check for Coldplay. At this point I'd been standing/leaning/slouching for about 2 hours... At last, finally, after such a long wait, Coldplay emerged from the shadows and appeared on stage.

They played their first few songs with lots of energy and lead singer Chris Martin was visibly sweating. For the first few songs he had an odd habit of acting out the lyrics he was singing using his fingers. Luckily this stopped early on.

The audience were loving it and sang along to the songs they knew. At one point Chris Martin segued from one song to another magnificently - only to then come to a crashing halt and shout "Wasn't that a smooth transition!". Yeah Chris... It would have been great if you hadn't stopped to say how great it was...

They played "Yellow" gently from a balcony and we were in a good position clutching to our railing to see it all. The experience wasn't so good for people at the back under the balcony - they could just see the crowd's heads aimed upwards at the front. Finally Coldplay returned to the stage and played their final song with a burst of butterfly confetti.
Summary: A good looking venue - especially to see the "world's biggest band" for free.